The city is a privileged field for encounters between historians and musicologists. The work of recent decades has seen a significant renewal, particularly with regard to the Modern Age, during which music became a central component of the urban experience. The diversification of themes is the key ingredient to this renewal. Institutional studies have given way to more complex approaches that combine artistic, social, political, cultural and economic issues to show how music was negotiated in urban contexts. Through the central theme of urban sociability and an unusual periodization, this workshop aims to highlight the original work of emerging scholars in which the spatial issues of urban musical practices are predominant, in order to compare sources, methods and questions.